John Westmark’s work is exhibited widely and is held in numerous private and public collections including the Council on Foreign Relations, Washington DC; Weisman Art Foundation and Museum, Malibu, CA; Bemis Center for Contemporary Art, Omaha, NE;
Gibbes Museum of Art, Charleston, SC; and the Kansas City Art Institute. John’s work was selected for the U.S. State Department’s Art in Embassies program and he is the recipient of two Individual Florida Artist Grants. John is also a Pollock-Krasner grant recipient, and was awarded The Gibbes Museum Factor Prize for Southern Art (Charleston, SC).
John received an MFA from the University of Florida and a BFA from the Kansas City Art Institute. John currently lives and works in Gainesville, Florida.
The Double Bind Series Paintings
I am interested in the metaphorical potential of unorthodox painting materials. The primary material used in my current work is store-bought paper sewing patterns applied directly to the canvas. The patterns are reinterpreted outside of their usual functional context as garment templates to present the female figure as warrior, martyr, or fantastical being. In every instance the identity of the figure(s) is denied by wraps, bonnets and bound faces, suggesting an anonymous “everywoman” or veiled entity.
By embellishing the garment patterns with custom text from contemporary feminist commentary and criticism, a conceptual narrative is created alongside the existing material narrative of imprinted assembly instructions. This added textual narrative disrupts the nostalgic or stereotypical notion of “women’s work” and admits an aggressive feminist dialogue into the visual conversation. The viewer is asked to read both the text embedded surface and the image.